Jasna Veličković - News
15 years aniverssary of The Roentgen Connection Ensemble, founded in March 2002 by Karolina Bäter (Germany) and Goska Isphording (Poland/The Netherlands). Composition Sisyphus' Song (2002) written for Goska Isphording, will receive new performance at radio/tv broadcast concert at Studio 6 within the program "Silent Songs" next to works by Y.Kyriakides, S.Reich and R. de Man, A.Djordjevic, Lj.Maric, A.Part and L.Berio.
Concert date: 15 March 2017, 21:00 at Radio Belgrade, Hilandarska, Studio 6, Belgrade.
Residency with percussion player, improviser and composer Seijiro Murayama at l'Athanor Theatre. Organized by G.M.E.A Centre National de Création Musicale d'Albi-Tarn.
Public presentation: 17 February 2017, 18:30 l'Athanor Theatre, Albi.
Intense week in Berlin, at MusicMakers Hacklab. Theme: Emotional Invention. In collaboration with CDM, Native Instruments and the SHAPE Platform. Played with Barnaby Walters, Evgenia Nedosekina, Insa Langhorst, Somaya Langley and Ulrike Stollenwerk. Other participants: Kayleigh Beard, Markus Koistinen, Eldar Tagiyev, Martijn Dirk Joling, Miri Kat, Mateusz Radz, Dr. Niall Coghlan, Paul Elvers, Pauline Canavesio, Pierre Modesti (Pyotr), Sara Vondraskova and Vicky Clarke. Facilitators: Byrke Lou and Peter Kirn.
Concert date: 5 February 2017, 17:00 HAU2, Berlin.
I will be performing Soundware and Magnetic Noise (live Velicon performance) at Paleis van Mieris during the Shift Operation, the micropolitics of space project by Maarten Schuurman and Esther Brakenhoff. Invited artists Joubin Zargarbashi, Marc van Dijk, Vincka Struben, Ilona de Wind, Zsolt Mesterhazy, Ovidiu Spaniol, Sander ter Steege, Radovan Misovic, Karina Palosi, Caro Verbeek, Matthew Britton, Steffen Vogelezang, and Barbara Dubbeldam.
Concert date: 30 December 2016, 20:00 Paleis van Mieris, Amsterdam.
Milana Zarić and Jasna Veličković rehearsal @ Spectrum East. Photo by Vesna Madzoski.
STRAN is my new work [in progress] for electronic harp and Velicon. First results will be presented at concert by Ensemble Studio 6 from Belgrade next to works by Milica Djordjević, Vladan Kulišić, Svetlana Maraš, Djordje Marković, Branka Popović and Nemanja Radivojević. Research was supported by Dutch Fonds Podium Kunst. Live broadcast at Radio Belgrade, Musica Viva, III Programme.
Concert date: 10 November 2016, 20:05 Radio Belgrade, Hilandarska, Studio 6, Belgrade.
Kaoru Iwamura and Zumpe & Buntebart square piano. Photo by Jasna Veličković.
Composition Sisyphus' Song (Sizifova Pesma) written in 2002, will receive new performance at Geelvinck Fortepiano Festival within the program: New Frontiers – New Compositions for Historic Piano’s, next to works by Aspasia Nasopoulou, Haruyo Horie, Ann Carr-Boyd, Elena Kats-Chernin, Leonardo Coral, Gabriele Toia, Max Yount, Tomi Räisänen end Antti Auvinen.
Performace by: Kaoru Iwamura - Zumpe & Buntebart square piano (1769) the earliest type of piano in England.
Date: 29 October 2016, 8PM Conservatorium van Amsterdam - Sweelinckzaal, Amsterdam.
Short film The Cause of Death (2015) by Bojan Fajfrić is selected for the 56. October Salon "The Pleasure of Love". In collaboration with Bojan I created the experimental music score for this film.
The ‘Black Wave’ was a prolific phase in the Yugoslav cinema in the mid 60s and early 70s that introduced the failure of the protagonist as the means of critical examination of the society. With The Cause of Death Bojan has decided to take over the roles of 5 major BW characters and re-enact their culminating scenes.
Sound track achieves the effect of communication signal and evokes traveling back and forth through time by using the original film dialogues and songs. 56. October Salon, 23 September - 6 November 2016, Belgrade.
Jasna Veličković after performance at Electro Camp 4, Venice. Photo by Tomaz Grom.
Soundware and Magnetic Songs are a series of songs composed this year for Velicon, a tactile analogue magnet instrument. Project will be premiered at ELECTRO CAMP Festival, International Platform for New Sounds and Dance. Organized by Live Arts Cultures, Association based in Venice which assemble the experiences gained by artists who organize projects and promote performing arts, particularly: dance, music, performing arts and new technologies. Until now, their doing was developing itself thanks two different subjects: C32performingartworkspace and Electronicgirls. Performance by Jasna Veličković.
Concert date: 8 September 2016, 22:00 Forte Marghera, Venezia-Mestre.
Composition sUn will receive new performance at 2nd edition of Festival Internacional de Música Experimental by percussionist Diego Espinosa next to works by Mark Applebaum, David Adamcyk, Hugo Morales and Juan Sebastian Lach Lau.
Concert date: 21 July 2016, 20:00 SESC, Sao Paolo.
I will be performing a music set with Velicon at FoA's event "Moving through liquid modernity".
Sociologist Karlijn Boersma and photographer Jeftha Pattikawa were inspired by the idea of Liquid Modernity for the design and development of the FoA. bag and accessories collection.
Concert date: 21 June 2016, 18:00, X BANK Amsterdam.
Composition sUn will receive new performance at the festival "Showroom of Contemporary Sound" (Izlog suvremenog zvuka) by Diego Espinosa in Zagreb. Showroom of Contemporary Sound is a festival focused on contemporary music, viz. contemporary sound, with a wider understanding of the term contemporary, thereby following the conception of Music Showroom, as designed by a poet and literary theorist Ante Stamać (the founder of the Music Showroom) and academician Nikša Gligo (longtime artistic leader). Showroom of Contemporary Sound is not limited in genre, not deﬁned in style, nor is it directed to promoting a certain poetics. However, that does not mean it has no clear program guidelines and set goals. The new music festival of Music Showroom promotes and presents musical exploration, development of technology and creating new DIY instruments and software, it is open to young people and it gives space for experimenting, while not dividing musicians and composers to academically educated and those educated outside the institutions, but promotes a dialogue between them, mutual collaboration and exchange of knowledge and ideas. It is precisely the openness of the concept that enables the festival programme to change and redesign itself, following the contemporary music production and shifting its focus in the direction of new tendencies...
Concert date: 6 May 2016, 22:00 Student Centre, Zagreb.
New Sound interview, Composer Speaks - Issue No. 46
Autors: Jelena Novak and Ksenija Stevanović
New Sound International Journal of Music is a peer reviewed academic periodical. It promotes musical creativity and theoretical concepts about music – musicological, ethnomusicological, analytical, phylosofical, aesthetical, etc. While presenting Serbian contemporary and traditional music worldwide, New Sound also deals with provocative issues on music and scientific problems concerning music in other countries as well. It focuses on composers' poetic, newly done compositions, various research problems, etc. from the aspect of analysis and contextual musicological interpretation. The journal also contains a survey of international festivals of new music, book and CD reviews and reviews of defended MA and PhD theses.
Read here: New Sound, Belgrade.
Composition Good Bach will receive new performance by pianist Katarina Radovanović Jeremić next to works by T. Milošević, I. Stefanović, D. Despić, D. Radić, M. Savić, D. Bogdanović, M. Raičković and N. Bogojević. Ringispil event is supported by SOKOJ.
Concert date: 31 Mart 2016, 20:00, SKC, Belgrade.
Femkanje is a podcast and a platform designed to improve and strengthen the independent cultural and art scene by promoting gender equality and creating media coverage for presentation, networking and education of young primarily female but also male authors from Serbia and ex-Yugoslavian region living in their home countries and in the Netherlands.
21 Mart 2016, Amsterdam
sUn board - photo by Jasna Veličković
Composition sUn written for Diego Espinosa will receive new performances in New York and Mexico City by percussionist Diego Espinosa next to works by Vinko Globokar, Kurt Schwitters, David Adamcyk, Hugo Morales and Juan Sebastian Lach Lau.
12 February 2016, 20:00 Maison Francaise, New York.
24 February 2016, 20:00 Museo Tamayo, Mexico City.
Short film The Cause of Death (2015) by Bojan Fajfrić will be presented at the Exhibition 1966 Constellations Gaur at the San Telmo museum, San Sebastian from 22 Jan-15 May 2016. In collaboration with Bojan I created the experimental music score for this film.
The ‘Black Wave’ was a prolific phase in the Yugoslav cinema in the mid 60s and early 70s that introduced the failure of the protagonist as the means of critical examination of the society. With The Cause of Death Bojan has decided to take over the roles of 5 major BW characters and re-enact their culminating scenes. As the protagonist of this story, he embodied two modes of existence, appropriating texts and actions from Yugoslav film history and inserting them into the settings and conditions of his life in the Netherlands. Sound track achieves the effect of communication signal and evokes traveling back and forth through time by using the original film dialogues and songs.
First screening: 22 January 2016, San Telmo museum, San Sebastian.
Spectrum East runs as a free zone for new approaches in improv and sound related arts performance, founded by harpist Milana Zarić and composer Richard Barrett. The programme of the second concert at Spectrum East event includes a solo piece Violin Revealed by Manja Ristić, a duet Jasna Veličković and Manja Ristić, duet Milica Milojević (flute) and Milana Zarić and the improvisation set Milana Zarić (harp), Richard Barrett (electronics), Manja Ristić (violin) and Jasna Veličković (velicon).
Concert date: 5 January 2016, 8:30PM Spectrum East, Belgrade.
Launched in 2012, the music series Sound Disobedience (in Slovenian, Neposlušno) describes its creed as an aim to facilitate conditions for music risk-taking and improvisation. Founded by Sploh Institute which has been working on improvised music and theatre performing arts production since 1999.
Workshop with Seijiro Murayama 5-7 November, public presentation 7 November, 6PM Španski borci Culture Centre, Ljubljana.
Velicon solo performance: 5 November 2015, 9PM Španski borci Culture Centre, Ljubljana.
Tales In Black And White, a video installation by Andrea Hack will be presented during the 4th International Dance film festival Brussels. Live velicon performance.
Performance date: 19 September 2015, Brussels.
Performance with Andrea Hackl at Electro Camp Festival organized by Live Arts Cultures - association based in Venice which assemble the experiences gained by artists who organize projects and promote performing arts, particularly: dance, music, performing arts and new technologies.
Performance date: 12 September 2015 at 9PM, Forte Marghera, Venice.
For the 11th Athens Digital Arts Festival BrowserBased Group (NL) invites works that explore the notion of "public" both in the digital and physical space. My work "Horoscope" will be seen on mobile devices on BB router-gallery, Hÿperlocal.
Dates: 21/24 Historic Centre of Athens - Exhibition Area (4th & 5th Floor), Athens.
Parallel viewing in Cafe Budapest, WG Terrein, 22 May 7 PM, Amsterdam. 1 time only!
The Internet Yami-ichi / Black Market celebrates the Internet in all its glory at the buzzing setting of a flea market. The cultural miracle we call the Internet crawls away from behind the glaring screen and drags along our so very dear memes, trolls, cats and glitches as well as the Web’s most obscure details including MacBook air air, the You Cube channel en analogue scroll bars to the booths. Artists, designers, innovative thinkers and outsiders will be selling concepts and concrete products plucked from, played on or responding to the online world. I will join the Internet Yami-Ichi market with 3 velicon performances. Sound designer Clare Gallagher. Photo by Sebastiaan ter Burg.
Dates: 9 May 2PM and 7PM, 10 May 3PM - Brakke Grond, Amsterdam.
I am invited by violinist Diamanda Dramm to give a performance on velicon (custom designed magnet instrument) at Zaal 100 as part of Corrie van Binsbergen CLUB 100 "Carte Blanche" concert serial. CLUB 100 is a meetingpoint for young talent and renowned and experienced musicians, famous with unknown coming from impro, rock, jazz, pop, contemporary, world, music theater etcetera. In the “inbetweenies” room for interviews, other art forms and more. Be part of the event: Every last wednesday of the month in Zaal 100, Amsterdam. Sound designer Clare Gallagher.
Concert date: 29 April 2015, 8:30PM, Zaal 100, Amsterdam.
MATA goes full blast in an unforgettable evening that probes all that we understand to work together to create music. Norwegian composer Bjørn Erik Haugen’s Summon transforms images to sound and back to image, questioning if what we see is really what we intend it to be. Mirela Ivičević, in her Orgy of References, takes on the role of the composer, their resumes in particular, giving a new take on the litany of accolades that fill them. Meanwhile American Megan Grace Beugger’s Liaisons connects a dancer to a prepared piano via a pulley system – what is more important: the sound or the performance? Serbian composer Jasna Veličković tears apart the instrument, creating music instead with magnets in her sUn. Finally, Music for Lamps – the trio of Adam Basanta, Max Stein, and Julian Stein – puts forth a clean slate in which tens of table lamps outfitted with transducers create their own music. Sound designer Clare Gallagher.
Concert date: 15 April 2015, 8PM, The Kitchen, New York.
Photo: Dejana Sekulić
Soundspotting is a parcours that offers a playground for perception of space through objects that sound. I will present the first part of my new composition Hipnotik for two velicon performers together with Dejana Sekulić. Performed pieces include works by Mark Applebaum, David Helbich, Mauro Lanza, Sarah Nemtsov, Jasna Veličković. A project curated by Dejana Sekulic, performed by GAME Ensemble [ICTUS and Spectra fellows]. Concert date: 2 April 2015 7PM, Bijloke, Ghent.
Studio 1.10 - intimate concerts for small crowd, designed for try-outs, discussions, knowledge sharing. At our second event composer Samuel Vriezen will introduce and play piano work by Mike Winter called 'Economy study in one dimension' from 2013. Together with Dejana Sekulić I will present work in progress for two velicon performers. Concert date: 1 March 2015, 7:30PM, Studio 1.10 Zeemanshuis, Amsterdam.
I will be performing sUn at Gaudeamus Sessies #7. Concert will future works by Arthur Wagenaar, Gagi Petrović, David Biedenbender and Corné Roos performed by Brendan Faegre Edge Ensemble. Concert date: 22 February 2015, 16:00, Muziekhuis Utrecht.
Studio 1.10 - intimate concerts for small crowd, designed for try-outs, discussions, knowledge sharing. At our first event pianist Helena Basilova will be performing Alexander Scriabin Piano Sonatas and I will be giving a velicon lecture performance. Concert date: 25 January 2015, 7:30PM, Studio 1.10 Zeemanshuis, Amsterdam.
My composition sUn has been selected to be performed at the MATA Festival of New-Music in New York City: April 13-18. Festival is broadly respected within the international contemporary community and has been called the "leading showcase for vital new music by emerging composers" by The New Yorker. For 2015 festival, MATA received almost 1000 submissions. Details about the performance date and time t.b.a.
"From A to B & Back Again"
H. 13.12-TRAM “House of Europe”, UL. View 1-3
In the trams: lines 33, 32 and 31, you will find 100 NFC tags and QR codes, arranged in one wagon. This is the project “From A to B & Back Again”, prepared by Zsolt Mesterhazy, from the Dutch Foundation BrowserBased, in cooperation with the City of Wroclaw and Communication Company NFCW Project. I made a new work "Horoscope" for this event. A DIY international digital art biennale in Wroclaw, Poland. Dates: 3/4/5 October 2014
Photo: Jim Turney
First performance of Tunguska Glow at Avaton Music Festival by newly-formed duo: Vladimir Rakić (live sampling) and Jasna Veličković (magnets and coils). Concert date: 7 Jun 2014, 22:00, Theatro Ena, Limassol, Cyprus.
Photo: Jim Turney
Composition sUn for permanent magnets and coils will receive new performance by Diego Espinosa at Avaton Festival together with works by David Adamcyk, Hugo Morales, Felipe Waller and Juan Sebastian Lach Lau. This concert is supported by the Performing Arts Fund NL. Cyprus. Concert date: 6 Jun 2014, 20:00 Theatro Ena, Limassol, Cyprus.
Photo: Jim Turney
Jasna Veličković, Avaton Festival, Theatro Ena Limassol, Cyprus. This presentation is supported by the Performing Arts Fund NL. Date: 6 Jun 2014, 19:00, Theatro Ena, Limassol, Cyprus.
Composition Good Bach will receive new performance by pianist Anita Tomasevich as part of the International Alliance of Women in Music annual concert. Concert date: 19 May 2014, 20:00, Kastelliotissa Hall, Nicosia.
Wednesday evening 23.04. at 21:00 Theresa Beyer will broadcast a one hour-radio show about the scene for contemporary, experimental and improvised music in Belgrade at SRF 2 Kultur (Swiss National Radio).
life stream here: http://www.srf.ch/radio-srf-2-kultur/uebersicht-2
Composition sUn written for/with percussionist Diego Espinosa will be premiered at Gaudeamus Montréal 2014 together with works by David Adamcyk, Hugo Morales, Felipe Waller and Juan Sebastian Lach Lau. Espinosa is a percussionist who continuously pushes the boundaries of contemporary performance. His work and experimentations with a wide range of visual artists, music technologists and theatrical/physical percussion repertoire has led him to focus a great deal of energy on projects wherein the visual component of a composition is an important or even equal partner to the music. While he calls Montreal home, he is actively collaborating with musicians and artists in Amsterdam, Berlin, New York, and Mexico, many of whom are visiting Montreal for this evening’s performance. Concert date: 5 April 2014, 21:00, Innovations en concert, Montreal.
Improvised music with Richard Barrett (electronics), Milana Zarić (zither, percussions), Ivana Grahovac (cello), Igor Čubrilović (electric guitar) and Jasna Veličković (electronics). Concert date: 13 November 2013, 20:30, G12 HUB Gallery, Belgrade.
Composition Kiseonik will receive new performance in Belgrade at the International Review of Composers. Performance with contemporary music collective "Studio 6". Concert date: 11 November 2013 at Hall of the National Bank of Serbia, Belgrade.
Followed broadcasts: Summary of the 22nd International Review of Composers, Stereorama (author Donata Premeru) Radio Belgrade. Dates: 16 November 2013 and 17 November 2013.
BL!NDMAN [drums] speelt baanbrekend werk van springlevende componisten, onder wie drie stoere vrouwen. Alle vooroordelen over percussie (saai, eenzijdig, kil, vrijblijvend) worden daarbij met veel toewijding aan diggelen geslagen... Om het geheel af te sluiten zet Jasna Velickovic, met elektrische spoelen, duimpianos aan het zingen. De etherische klanken worden overweldigd door een 'laatste lied' van Richard Strauss en verglijden zo in een apocalyptische vloedgolf. Concert date: 5 October 2013 at 8 PM, Cultuurcentrum Ekeren, Belgium.
Discography Selections (“Selecciones de la Discoteca”) radio programme by Dulce Huet Covarrubias, will be aired on Radio Unam, Mexico DF including my works: "Last Song" for percussion quartet; "Ombre...moi non plus" for zither with coils, zither with boading ball, bandoneon, piano, 4 violoncellos; "Strelka" for accordion, musical saw, harp, cimbalom, harpsichord, two pianos; "Shadow Study #7" for zither and objects with coils; "Shadow Study #4a" for piano and coils; "Good Bach" for piano and CD; "Fantasia" for voice, recorder, flute, clarinet, trumpet, violin, viola, piano, percussion; "Vriskrik.exe" concerto for live electronics and orchestra; "Magnetik" for cymbalom, metal plates and coils. Dates: 17 September 2013 at 2AM, 19 September at 2AM, 22 September at 4PM and at 7PM, 25 September at 2AM, 28 September at 2AM and 3AM, 29 September at 4PM and 5 October at 2AM.
Live recording of Magnetik for cymbalom and coils (premiered May the 27th, at Ring Ring Festival by Nora Mulder, Clare Gallagher and Jasna Veličković) will be aired on Radio Belgrade III - Imaginary Landscapes programme. Music editor in chief is Ksenija Stevanović. Date: 21 September 2013 at 10:45 PM.
The first experiments with magnets and coils (work in progress for percussionist Diego Espinosa) will be presented at Centro de Cultura Digital by Diego Espinosa together with works by Ivan Lopez, David Adamcyk, Hugo Morales and Juan Sebastian Lach Lau at Centro de Cultura Digital - Mexico City, 29 August 2013. This concert is supported by the Performing Arts Fund NL
Shadow Study #7 (2012) for zither, objects and coils, Shadow Study #4a (2013) for piano 2 coils / 2 hands and Good Bach for piano and CD (2001/4) will be performed together with works by David Adamcyk and Juan Sebastian Lach Lau at Centro Mexicano para La Musica y las Artes Sonoras CMMAS - Morelia, 2 August 2013. Concert ends with improvisation by Diego Espinosa, Juan Sebastian Lach Lau and Jasna Veličković. This concert is supported by the Performing Arts Fund NL
Magnetik for cymbalom and coils is a project situated on the verge of composition and installation. Performance has an open end with the audience participation. This project is a new installment of my ongoing artistic research whose aim is the creation of tools that facilitate playing on instruments using the transformative acoustic possibilities of electromagnetic field. Magnetik will be premiered at Ring Ring Festival, Museum of Science and Technology Belgrade, Serbia. Performance by Nora Mulder, Clare Gallagher and Jasna Veličković. Concert date: 27 May 2013 at 8 PM. This project is supported by the Performing Arts Fund NL
Percussionist Diego Espinosa and audio engineer Jose Luis Aguirre won the Nikki Yanofsky Audio Technica Prize to record a DVD of percussion solo and electronic pieces at CIRMMT. Shadow study #7 will be recorded together with works by Juan Sebastián Lach Lau, Juan Felipe Waller, Hugo Morales Murguia and David Adamcyk.
Good Bach for piano and CD (2001/4) and Shadow Study #4a (2013) for piano 2 coils / 2 hands will be performed at the Reading Room Pyongyang: Beetween Object and Shadow exhibition curated by Christina Li. Performance by Nora Mulder and Jasna Veličković. 21 April 2013 at Goethe Institute, Amsterdam.
Composition Kiseonik commissioned by Gaudeamus Music Week and performed by ECO ensemble in Utrecht, will receive new performances in Belgrade. Kiseonik is this time arranged for contemporary music collective "Studio 6". Concert dates: 24 April 2013 at Radio Belgrade Studio 6, Belgrade (Live TV and Radio Broadcast) 26 February 2013 at SKC Hall Belgrade, Serbia.
An interactive performance throughout the rooms and hallways of Radio Belgrade, featuring music of John Cage and Alvin Lucier. Performing "But what about the noise of crumpling paper which he used to do in order to paint the series of "papiers froisses" or tearing up paper to make "papiers dechires?" Arp was stimulated by water (sea, lake, and flowing waters like rivers) , forests" and "Radio Music" together with members of contemporary music collective Studio 6. Concert date: 26 December 2012 at Radio Belgrade Studio 6 Belgrade, Serbia.
Radio broadcast of Vriskrik.exe - concerto for live electronics and orchestra, [premiered in May 2000 by Jasna Veličković/live electronics and Belgrade Philharmonic Orchestra at International Review of Composers] and Last Song for percussion quartet [performed by Ear Massage in May 2010, Korzo Theater] at Radio-Belgrade III programme. Music editor: Ivana Neimarevć, Radio Belgrade III programme, Serbia. Broadcast date: 18 December 2012, 11:35 PM.
U Pandorinoj Kutiji for 2Vn, Vl, 2Vc, Db and piano 4 hands written in 1996 will be performed at the 3th Avaton Music Festival. Performance by Avaton Ensemble. Concert date: 17 November 2012 at The Center of Performing Arts MITOS Limassol, Cyprus.
The Surround! Festival in Bruges attempts to restore the third dimension in music. Installations and concerts will demonstrate how sound can fill and mould space, and reconnect us with the intensely physical experience that comes with it. Performance by BL!NDMAN drums. Concert date: 11 November 2012 at Concertgebouw Brugge, Belgium.
Performing my new piece Shadow Sound for zither and coils as a finalist of the ECPNM Live-Electronics Competition. Other finalists are: Roberto David Rusconi, Alexander Schubert, Ilya Ziblat and Marco Donnarumma. Concert date: 3 November 2012 at De Singel Antwerp, Belgium.
Shadow Study #7- written with and for percussionist Diego Espinosa (2012) will be showed at the installation "El steno de Elpis" by Mauricio Cervantes. Opening: 1 November 2012 at Martia Jardin Arterapeutico - Oaxaca, Mexico. Installation continues to December 13 2012.
Last Song for percussion quartet is selected for the ISCM World Music Days 2012 from the individual submissions. It will be performed by BL!NDMAN ensemble. Concert date: 1 November 2012 at Concertgebouw Brugge, Belgium.
U Pandorinoj Kutiji for 2Vn, Vl, 2Vc, Db and piano 4 hands written in 1996 will be performed in SKC, Belgrade by Metamorphoses Ensemble next to pieces by Ana Gnjatovic, Milica Djordjevic, Branka Popovic, Dragana Jovanovic, Isidora Zebeljan. Concert date: 23 September 2012 at SKC Hall Belgrade, Serbia.
Workshop on Mario Bertoncini and his extended instruments: What, how and why? This workshop is organized by CIRMMT Research Axis 6 (Expanded musical practice). Percussionist Diego Espinosa will present Shadow Study #7. Workshop will take place on 19 September 2012 at McGill Univerity in A832 (New Music Building) Montreal, Canada.
Performance by Diego Espinosa. 15 September 2012 at McGill Univerity Montreal, Canada. This project is supported by the Performing Arts Fund NL
Gaudeamus Music Week commission. Performance by Eco ensemble, 7 September 2012 at Rasa Utrecht, Holland.
Performance by newly established ensemble from Serbia for contemporary music Studio 6. Works by Luciano Berio, Kaija Saariaho, Jasna Veličković, Richard Barrett, Emmanuel Nunes. Musica Viva, broadcast concert - Radio-Belgrade III programme. Concert date: 20 June 2012 at Studio 6 Belgrade, Serbia.
Week in Montreal at CIRMMT. Working on new piece for objects, zither and electronics "Shadow Study #7" together with percussionist Diego Espinosa.
1-7 June 2012
Last Song for percussion quartet awarded a recommendation at the Unesco Rostrum of Composers 2011. The 2011 Rostrum gathered representatives from 29 national radio networks from four continents, which presented 60 works composed within the five years preceding the Rostrum. After the listening sessions, the assembly of delegates selected and recommended the most distinctive works. These and other works will be presented in concerts and broadcast after the Rostrum by the participating and other interested radio stations.
Last Song for percussion quartet is nominated for the Dutch Toonzetters 2011 prize. Toonzetters takes place on the 22 June 2011 Muziekgebouw aan’t IJ, Holland Festival.
J. Novak, P. Adkins-Chiti, I. Neimarevic, O. Nesic. Publisher Fondazione Adkins-Chiti, Rome (English, Italian, Serbian language). Including texts by I. Neimarevic and J. Novak about my work.
RADIO MONALISA with Patricia Werner Leanse."Haar muziek is buitengewoon krachtig en meeslepend en zij verdient zondermeer de titel componist van de maand juli bij Radio Monalisa”.
History of Arts in Serbia - 20th century; Miško Šuvaković, Nevena Daković, Aleksandar Ignjatović, Jelena Novak, Vesna Mikić, Ana Vujanović, Belgrade. Publisher Orion Art (Serbian language). Including texts by V. Mikić and J. Novak about my work.